‘You cannot see the red-hot knitting needles spirted [sic] out by that red-faced trumpeter... which needles aforesaid penetrating the tympanum, pierce through and through your brain without remorse.’Some hold kernels of truth, ancient and modern:
Subversive Sounds, Race and the Birth of Jazz in New Orleans
‘All down history nine-tenths of mankind have been grinding corn for the remaining tenth and have been paid with husks and bidden to thank god they had the husks.’Others suggest seeds of change:
David Lloyd George
‘It is impossible to overstate the significance of a sixteen-year-old Southern boy’s seeing genius for the first time in a black. We literally never saw a black then in any but a servant’s capacity. It had simply never entered my mind - that I would see this for the first time in a black man. But Louis [Armstrong] opened my eyes wide, and put me to a choice. Blacks, the saying went, were ‘all right in their place.’ What was the ‘place’ of such a man, and of the people from which he sprung?’Excellent ideas can be complex:
The Louis Armstrong Companion, Joshua Barrett
'Jazz was not simply the free expression of individuals who happened to be black, Creole, or white. Race shaped the music, but the effect of race goes beyond the race of the musicians. A political analysis of the music must take into account the multifaceted interactions among musicians, audience members, and opponents of the music.’Big ideas can hit you in the gut:
Subversive Sounds, Race and the Birth of Jazz in New Orleans
‘The idea doesn’t have to be big. It just has to be yours. The sovereignty you have over your work will inspire far more people than the actual content ever will.’So what’s the big idea, writing about creativity? All these quotation marks are like chicken feet, poised outside the great ah-ha.
Ignore Everybody
Cluck cluck. Time to brave honest thought, from inside out.
Public domain image, Stamp of the Faroe Islands
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