August 26, 2007

Semi quaver

Music welcomes everyone.

You don't have to be gorgeous, hip or suave. Music asks you to be authentic and maybe a little bit crazy. It takes a kind of deranged love for your instrument to press on until anyone besides your loyal friends will listen.

People do listen to exceptional music in any genre. It reminds them of something. It remembers them to love. Strange love, desperately wanting to cohabit the molecular space of an other. Truthful, vulnerable trust of atoms smashing. Kids know this. Teenagers surely know it. Old people -- I think they do too. It's the vast middle earth of our lives that deflates love, dispenses it in cannisters.

Enter music. Throbbing sound waves crash against our ear drums into self. Legions of composers juxtapose intensity-duration-pitch -- endless variations of the vibratory muscles of our minds. This, when executed skillfully, unfetters our desire for the wordless union.

Some praise the lyricist for haunting images or exquisite rhyme. But words, in the signature of music, are also sounds that break the barrier of thought. Songs don't speak, they sing. They're less tasted by reason than swallowed whole by desire.

Certain music sweeps you off your feet in a ball room crammed with strangers you could love if you were younger or older or merely intrepid enough to feel. The tipping point between caution and candor is a billion angels dancing on a pin. And the pin -- you know it anciently -- is extraordinary music that will touch you like a hand along your spine. This is the pin pulled out of your elaborate headdress. The pulling lets the mind relax. Its raw heat tumbles down your shoulders into hurt and laughter as you slip into the world.

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