The children sleep in separate beds, one bed at Mommy's, one at Daddy's. Separate bedrooms. Separate dreams, save one -- the dream of reconciliation.
These children are like any of us, caught in struggles we don't understand. One such struggle -- the estrangement of our body from our spirit -- finds our body irked by the spirit's piousness, the spirit scandalized by the body's joy.
So the children, you, me, our gentle selves, pack our pajamas, wishing. If only Mommy could bend, just a little bit, to see what Daddy's talking about. If only Daddy could listen and try something Mommy's way. If only they could get along. If only.
Mom and pop turn to us in the midst of another royal ballyhoo. Some absurd look about us makes them drop their scorecards, ink smudging their rude cheeks. Oh. The children. We almost forgot.
Let me tell you a story about my spirit body split. Like you, perhaps, I want to know how I feel about the boy who shot the innocents last week. Do I hate him? Is it pity? Disgust? Rage? Sorrow?
I feel an ancient sorrow for the people he killed. But when I try to take the pulse of my response to the killer, I feel...
Some have compared the shooter to a suicide bomber. Both are ideologues for whom human life has no value. Both chill me to the bone, but there is no bone. No marrow. No sinew. No blood. In the face of their murderous certainty, I feel only ice white fear.
Spiritual purists and worshipers of the senses are doomed to everlasting strife. Both define themselves by their martyrdom. The body politic finds the effort of self-discipline unconscionably harsh. The extremist extinguishes the sloppiness of hedonistic culture with a bullet or a bomb.
We, abandoned children, make no sense of our emotions, benumbed by tummies so damn full, no butterflies alight there. Traumatized by spirits that have lost the urge to play.
April 27, 2007
April 24, 2007
Largesse
Victory is what happens when ten thousand hours of training meet one moment of opportunity.
Coach Jason Hill, Beachwood High School
A certain student earned his 'exemplary young man' moniker yet again over the past year and a half as he transformed himself from a rather likable teddy bear to an affably self-assured lean mean competing machine. Last weekend he completed his first ever Olympic-length triathlon in two hours and twenty six minutes, exceeding his own, his teammates' and coach's expectations. Hearing him exude pleasure while consuming post-race calories momentarily washed me clean of the grim tragedy of Virginia Tech.
A swim workout can sometimes cleanse my wounds in this world gone mad. Lately, though, with images of 32 precious students and teachers etched on my retinas, I can barely make out the Coach Hill quote that hangs over the pool deck.
Last night I saw Miss Potter, a film about an artist spurned by mother and world. When Beatrix loses the love of her life, she withdraws to her painting space to drench her sorrow in creation. Her images of bunnies grow dark as crows peck at Peter's blue coat and bloated guppies swallow up the sweet green frog. 'I must leave this house,' she tells her savior, Milly. Beatrix escapes to the countryside where her grieving mind and hands embark on endless hours of training. In time, with earnings from the most widely published children's books of all time, Miss Potter rescues 4,000 acres of rolling farmlands from developers, preserving them for the British people.
The question of this mournful day of innocents downed is ever, 'why?' The shooting, the disregard for life, the horror? The constancy of atrocity worldwide, pulled down around my senses, numbs my strumming hand. Ten thousand hours of training, coach -- why bother, when the shooter's aim can maim another child?
In a race between good and evil, firepower obliterates fairness. But it doesn't win. Your lily pad, your cabbage patch, your cotton tail, your puddle duck, your fifty yards in fifteen seconds flat -- your hope within the madness.
Victory. Another name for love.
April 8, 2007
Mrs. Monet
Our minds are familial search engines. They know our clan, flash point quick. They feed us reliance, surround our doubt with possibility. Thoughts remand, remonstrate, remember. They play our questions like loquacious kin. Search ignites vast comfort within the complicated otherness of nature. She steps into the sea with brush and pallet, turns to her childhood coastline, carves her darks and brights into the work the waves can't have.
by Claude Monet Wikimedia Commons
by Claude Monet Wikimedia Commons
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